A Brief Photowalk Through Mianus River State Park

Hey everyone, Zig here back with another post!

Today I wanted to share an experience I had over the weekend during my first visit to Mianus River State Park in North Stamford, Connecticut. It’s a lovely place that I’ve always wanted to visit, but for some reason thought it was too far out of my range for a day trip, but as it turns out, it’s much, much closer than I realized! I spent Saturday afternoon walking through the trails in the lower half of the park, practicing my macro photography, and getting in a little late-Winter exercise, as well.

I started off the visit by spending some time around the entrance to the park, which is, in essence, just a small bridge that crosses over the Mianus River into the trail area. I spotted a log along the shoreline with some life burgeoning off of it, and seeing how the light of the sun was giving some great warm tones, I decided to climb down near the water line to get some shots.

In the moment, I was enjoying the sound and the movement of the flowing water compared to this log that was just sitting stationary in the riverbed. The wind was blowing, but not harshly, and seeing this little microcosm of moss and other small plants living it up in the middle of winter gave me hope for the rest of the day.

Soon after, I was on my way along the River Trail which follows the perimeter of the park and is paralleled by the Mianus River. All along the trail, you can spot fallen birch trees and branches, and as I got close to one in particular, I noticed it was sprouting some interesting looking fungi. Something about it reminded me of clamshells!

Walking further along the River Trail, I kept my eyes peeled for any signs of distinct color and contrast that I could composite some shots around, and without too much searching, I found a wonderful little leaf resting on the path in front of me. I knelt down and snapped a few shots of it just before the wind knocked it over! I felt like I got lucky and caught it just in time.

I spent the day practicing a technique used in macro photography called “focus stacking.” I practiced positioning myself in a stable way, compositing my shot, and then snapping the same image, but focusing at different points. The goal of this technique is to have a selection of images that you can stack in software like Photoshop to increase your depth of field more than what you could achieve with a single snap of the shutter. Throughout some of these photos, you might notice spots that are unusually out of focus, and this is most likely because of how I was positioned with I took the photo. Kneeling or squatting to take handheld photos of smaller objects on the ground can make it easy to change the perspective between each image, as well as miss shots that would help complete the stacked depth of field. One of the lessons I learned from this for next time is to work with a faster shutter speed, as well as to bring a tripod with me so that I am always controlling the perspective. One thing I’ll also be practicing with in the future is my camera’s focus-stacking mode, which does a lot of the manual work for me. With this new knowledge, I’m expecting even more technically impressive images from my next visit!

As I spent the remaining hours of my visit walking through the park, I was able to really settle into the hike and enjoy the sights and sounds of nature. I could hear the wind blowing through the empty trees, the sounds of melting streams and cracking ice, and I could really enjoy the tranquility brought on by the warmer tones of the late-afternoon sun. I took this final image as I was making my return back to the park’s entrance at the end of the day. It was more of a snapshot at the time, but it’s turned into one of my favorites from the entire visit. It’s aptly titled, “Leaves Under Log,” and I am incredibly happy with how it turned out. The combination of contrast, lighting, composition, and texture from the top-down angle is superb, and I’m looking forward to getting a similar look in photos to come!

I’d like to conclude this week’s post by making an invition to every photographer out there to explore their nearby state and national parks. I invite you to take some time to go out and, even if you don’t go to take photos, enjoy the park for all that it has to offer. I was surprised by how well-maintained and impressive Mianus River State Park’s trails were and I can see myself going in the future to just walk around and spend some time in nature. I especially can’t wait until the Spring and Summer to see it full of plant and wildlife!

Anyway, that’s all I have now. Stay tuned for another episode of the Shutter Button Podcast next week where I’ll be talking about photowalks as a general topic! I’ll probably talk about an upcoming trip of mine, as well as more about my experience at Mianus River Park in that episode.

So, until then, have a great week!

- Zig

Photo Book Review: "Seaside Shelters" by Will Scott

Hey everyone, Zig here! How’s your Wednesday treating you? Staying warm (or staying cool depending on which part of the world you’re reading from)? Well, either way, I hope you’re doing well!

Today, I’m going to talk a bit about a book I’ve only been able to take brief glances at since I bought it last October and I’m excited to share some of my experience with it after taking some time to sit down and really go through it. The book is titled, “Seaside Shelters,” and it was created by Will Scott, a wonderful architectural photographer whose work I wish I had found earlier. The photos within are all distinct in their own ways, but the focus of this book is to showcase quaint, often small, structures that reside along the coasts of the United Kingdom. It begins with a lovely essay written by Edwin Heathcote, that spans several pages, and describes the history and cultural impact that these structures represent for many British people. It helps to set the backdrop for you, as the viewer and gives you the information you need to get the most out of each image, even if you haven’t grown up in the world that’s described. There is a line written by Edwin, on the last page, that resonates with me deeply, “They are, perhaps paradoxically, among the saddest and the most joyous, the smallest and the biggest hearted buildings ever built. They will surely outlast us all, still shabby, still slightly funny, still decaying.” I think this illustrates Will’s aesthetic and focus excellently.

The rest of the book consists of 50 photographs, an alphabetically sorted index of each location, and a map showcasing where each image was shot. I think it’s a lovely illustration that shows just how intimate the country’s size is when compared to the variety of architectural styles Will showcases along the coastline. There’s a wonderful variety of familiar settings ranging from night and day to overcast and sunny, clear skies and one of the things I especially enjoy about how Will photographs these structures, is that he very clearly makes them the foremost subject on each page. Sometimes, there are no people around at all, and in others, they’re around or inside the structure, but the image is composited in such a way that they feel almost like a fleeting image, much like the memories associated with the buildings themselves. The shelters stand firm at the center of the frame on every page, like silent guardians standing headstrong against the elements. The ocean and sky stand just behind them and the view feels like it goes on forever. Looking out past the structures, I think back on memories of family trips along the coasts of New England when I was just a young kid. I remember visiting beaches with my family and moving around the shore to get as much of the ocean and sky in view as I could. I remember looking out and seeing the waves move synchronously with each other as the clouds drifted across the sky overhead. It’s a very calming, hopeful feeling that I always look forward to when I visit the beach. The colors and tones that Will captures also evoke a feeling of nostalgia. I think back on the familiar sights and sounds of leaving the busy city and arriving at the beach or harbor where my family would spend the day. The soft tones of the sandy beaches and the light blue skies fills me with a warmth that is especially wonderful on colder days like today.

However, Will also evokes that somewhat bittersweet feeling we all experience when looking back on our past and I feel that it’s especially present in this book, with images that reflect memories of trips to the beach, snack bars, and sandy towels. Seeing the deterioration and decay of the structures can remind us of the neglect we, too, have felt as we’ve grown older and lost some of that childhood magic. Still, I think these somber reflections serve as an important reminder that even with the constant motion of moving forward, those feelings of loss and regret are just one side of a two-sided coin. The shelters serve as an anchor in both mind and body, and their resilience, despite their treatment (or lack thereof) is a testament to the connections we make with the past through the buildings we build and the memories we form there. It’s a reminder that nostalgia is cloudy and formless. It’s something that you can get easily lost in, but buildings like these can act as a guiding light in that messy fog, bringing you back to reality.

I highly recommend this book for the content, as well as the price. I purchased my copy from the Museum of Fine Arts in Boston for about $20, but I have found it available on Amazon, as well. It’s become a staple of my bookshelf and I have enjoyed sharing it with others. I look forward to seeing more of Will’s work in the future, as well as maybe purchasing another one of his books!

You can find Will’s website with more of his work here: http://www.willscottphotography.com/

Anyway, that’s all I had to share for today, but I look forward to recording the next episode of the Shutter Button Podcast next week. I’ll be talking about some steps and necessities for planning projects for both personal and professional work. I’ll see you all in the next post!

Have a great week,

- Zig

At-Home Studio Photography

Hey everyone, Zig here! Happy Wednesday once again.

So last week I released the first episode of my photography podcast, “The Shutter Button Podcast” and I have to say that I had a lot of fun making it, as well as a fair amount of stress. However, I think now that I’ve gotten through the first episode, I’ve learned a few things about the recording process that should make it easier when I do episode 2 for next week! I hope you’re looking forward to it as much as I am, I’m going to be going over the topic of building a portfolio; things like which services to use and what kind of projects you can do to help fill your portfolio with variety. So until then, please stay tuned!

Today, however, I’d like to talk about an equipment purchase I made the other day to build a small home studio. My goal was to put together a small kit of equipment I could use for several types of projects; product photography, macro photography, experimental art photography, and a few other ideas that I haven’t fully thought about yet. I decided that for this kind of setup I would need a few things;

  1. A light source, stand, and umbrella diffuser. (For now, just one light will do, but at some point, having two light sources will be a great way of expanding the potential of my at-home projects.)

  2. A light tent for product photography.

  3. A table to work on. (Anything will work, as long as it’s sturdy!)

  4. A glass or acrylic watertight box/fish tank. (I’m planning to use this to experiment with taking macro photos of underwater subjects!)

Overall, I don’t think this is a very demanding list, but depending on the equipment, it could get very expensive very quickly. I did quite a bit of shopping around and exploring on different retailers and settled on getting everything from a few different places. For the table, I purchased a very inexpensive folding table off of amazon and for the fish tank, I thankfully had an unused one from a previous freshwater set up in my house. I picked out all of the remaining items on my shopping list from B&H Photo Video. I ended up picking out the following items to complete my setup;

With this equipment, I think I’ve got the perfect setup to start experimenting and learning how to work with certain still life subjects and items for product photography. I’m also very excited to have a singular spot that I can use whenever I’m feeling creative and want to shoot. Also, because this equipment is so portable, I’ll be able to move it around the house very easily in case there’s a particular scene or area that I want to shoot in. I’m looking forward to it all!

Overall, the price was about ~$350 for everything, and I think that it’s relatively fair for how much and what I bought. Only time will tell how the quality compares to other brands, but I’m feeling very optimistic about being able to shoot more frequently at home.

Anyway, that’s all for now, I hope this blog post was able to give some insight into what I’d like to be working on soon. In a future post, I will also be bringing up the topic of finding and photographing bands, but that will be at a later date once I get some experience!

That’s everything I’ve got for today so I hope you all have a great week and I’ll see you all in the next post!

- Zig

Gearing Up for the New Year!

Hey everyone, happy Wednesday and happy New Year! I’m really looking forward to the year ahead and I wanted to take some time to break down some ideas I’ve had about gearing up and getting my kit in shape for 2019.

Right off the bat, I feel that it’s important to go over my goals because if I don’t even know what my goals are for the year, how am I supposed to take steps towards them? When it comes to the long-term, I have a few ideas, but mostly I’ve been thinking about experimenting and playing around with my photography in the year ahead. I’ve written up a small “want-to-do” list down below;

  1. I want to build a simple, 1-light studio setup for at-home product and macro photography, which should be versatile enough that I can re-use some of the lighting equipment for portraits, as well.

  2. I want to get a simple, but effective gimbal for experimenting with videography and travel/stock footage.

  3. I want to experiment with more, planned, at-home projects.

I’ve tried to keep these goals flexible, but not so vague that I get lost trying to achieve them. I’ve also tried to stay away from any specific product or brand name because I feel that’s a recipe for overspending money I don’t need to. Another thing I left out of this list is lenses. If there’s something that all photographers can get behind, it’s that really good glass, is very, very expensive. I have a few items on my shopping list (like a new wide-angle FX-format lens for landscapes and interiors), but for the most part I am looking to work mostly with what I have ine my lineup right now. The way I that I see it is that the money I would be spending on lenses is money I could be spending on equipment for different projects, which is something I value a little more than having “the perfect lens” for each situation. I also think that this line of thinking is a good way to get me to get experience with being more flexible when it comes to equipment and cost restrictions.

Also, as a brief aside, when it comes to equipment I need to get for my professional work, I think that the gear I have now is more than enough for most of the simple jobs I’m looking to take on.

So that’s it for now! It’s only the beginning and so far I have some at-home project ideas I’d like to plan and work on, as well as a few pieces of equipment I’d like to pick up just to play around and experiment with. As we move a bit deeper into 2019, I will most likely develop a more refined list for each goal, along with some equipment ideas and choices. I’m greatly looking forward to executing on some ideas this year and I can’t wait to share that journey with you guys, too!

Anyway, that’s all for now. I’m wishing you all a great 2019 and a very productive year of photography!

- Zig

2018: A Year of Growth!

Hey everybody, Zig here once again. I’m wishing you all a happy holiday season and a merry new year as we make our way into 2019.

This is a great time to look back at the year behind us and review how we’ve changed in both style and performance. I’ll be sharing a few photos I’ve taken this year (chronologically), a year which started with me receiving my Nikkor 105mm f2.8 macro lens!

To start things off, I wanted to share one of the first photos I took with my macro lens;

Stamford, CT

This is a photo of a completely out-of-focus jar of paintbrushes I had drying on my bookshelf. I spent a lot of the first few months of the year shooting things within arms-reach in my room since it was so easy to find simple subjects to play around with. These paintbrushes were also very important to me because I had very recently completed an introductory drawing and painting class at the New York Academy of Art. I learned quite a bit about the process of compositing a painting and also created something I was proud of and was able to hang on my kitchen wall!

This second photo is a bit more planned and processed and I think it definitely has inspired a ton of my photography this year;

New York, NY

This is a photograph I took on my very first outing to New York City with my new macro lens. I spent most of that day photographing everything that felt even a little bit industrial or grungy; metal scaffolding, the sidewalks, building corners, and so much more. I walked away with this as one of my favorite shots of that day, I think what I love most about this photo in particular isn’t the color that I added in post, but the texture! The rust and chipped paint is so crisp in the focused section and I just love it. It makes me want to go back to this specific part of the city with a tripod and recreate this kind of photo with focus stacking to get more of the main subject in focus!

I credit these next photos with getting me interested in floral photography more deeply than I had before.

New York, NY

New York, NY

New York, NY

Although they may have all been taken on different days, these floral shots are some of my favorites and show some style development when it comes to my floral photography. Color and composition are something I’m always improving, but I feel like I’ve made a lot of progress this year. It’s not something I can practice in every season, but I’m looking forward to Spring and Summer to build an even bigger catalog of flower photos.

Finally, I’d like to leave you with one final shot that I’d like to use a benchmark for myself moving forward into 2019;

New York, NY

I took this photograph of some metal fencing on the High Line in NYC during a group photowalk at the PDN PhotoPlus Expo earlier this year. I got to participate in a fantastic group activity alongside a fairly large group of other macro photographers and I had a blast! It’s one of my photography highlights of the year and I definitely look forward to working alongside more photographers in 2019! I definitely feel like all of the work I did this year led up to me taking a shot like this and I really want to focus harder on preparing and executing on photos more deliberately next year. It’s one of the main things I’ll be working on, as well as several other things like focus stacking and videography.

Phew! Going over my old photos is definitely a little bit stressful, but it’s absolutely eye-opening to physically see the progress I’ve made personally and professionally this year. I’m very excited for what I’ll be doing in 2019 and I can’t wait to kick start the year with the release of the first episode of my upcoming podcast in late January: The Shutter Button Podcast. If you’re interested in learning about my approach to different professional experiences, then I invite you to listen to the show as it starts to get released next year, but in the meantime, I look forward to hearing about everyone’s 2019 plans!

Anyway, that’s all for now. I hope you all get to enjoy the holiday season and I’m wishing everyone a smooth transition into 2019.

All the best,

Zig

Buying New Equipment (And the Dangers of Upgrade Hype!)

Hey everyone, what’s up? Zig here with another brief weekly update!

How’s it goin’? How’s your holiday season coming along? Mine is…coming together! Things are a little rushed, but at least I’ve finished all my holiday shopping and I just need to wrap a few more gifts. I recently purchased a Nikon Z6 and wanted to briefly talk about my reasons for upgrading (from a Nikon D5500), as well as talk about something important that comes up around this time of year; upgrading.

So, I recently pre-ordered a new Nikon Z6 mirrorless camera body (and an FTZ lens adapter) from B&H photo video as an upgrade from my current Nikon D5500 body and it finally arrived! I’m incredibly excited about upgrading, but I wanted to share a few of the reasons behind my ultimate decision of picking this specific camera body and why I even considered upgrading at all;

First, there’s one immediate difference between these two bodies besides the price; the sensor. The Nikon D5500 has a 24.2MP (megapixel) DX-Format (cropped) sensor. The DX is an important thing to note because a DX-Format sensor limits you to a smaller scene when you’re shooting. It crops your scene and forces you to put more distance between you and your subject in order to fill the frame which has been a hassle for me to handle in the past. The Nikon Z6, on the other hand, has a full-frame FX-Format (uncropped) 24.5MP CMOS sensor. Because of this, I don’t have to work around my camera body as much anymore and I’m able to fill the frame much more easily when I’m out shooting. There’s a lot less respositioning and movement on my part which becomes a lot more noticeable when you’re out shooting all day long. The sensor is also newer with multiple improvements to autofocusing, which I have definitely seen in action with my own test shots.

Another major advantage of upgrading to the Z6 is its software capabilities. It definitely beats the D5500 when it comes to doing more for me. For instance, it has a focus stacking mode which is incredibly useful for shooting two of my favorite styles of photography; macro and landscapes. The settings and configuration menus provide much more control over what the camera does compared to the D5500, as well, but that lends itself to the fact that the Z6 is an overall much more feature-packed camera compared to the D5500. Some more things I like about the Z6 is the body itself. It’s weather-sealed, has in-body stabliziation, has a touchscreen, is relatively light compared to most high-end DSLRs, has a very comfortable grip, and last, but certainly not least has an EVF (electronic viewfinder) which is an absolutely incredible tool to use. It has many more dials and programmable buttons compared to the D5500, as well, but as of right now, I’m not sure what features I’d like to program in to those for quick access.

Now, I’ve been listing a ton of things I like about the Z6 compared to the D5500, but there was something else I wanted to bring up in this post that I think a lot of photographers, especially me, struggle with whenever camera manufacturers release a new line of equipment. I call that something Upgrade Hype. Upgrade Hype is when you start seeing the marketing posts from companies like Nikon and Sony and Canon as they show off all their new tech and ultra-crisp promo footage and I get it. It’s really fun to see the cutting-edge equipment come out onto the market, but it can definitely be dangerous if you’re not in a position to spend a ton of money on new equipment or if you’re not really in a spot where you need to upgrade at all. For me, I was definitely debating whether or not I really needed to upgrade, and to be perfectly honest, I don’t think I did. I definitely wanted to for a number of reasons, but I could have continued shooting with my D5500 kit and done just as well with the subjects I’m currently shooting. However, I did heavily consider the fact that this new body could help enhance those types of shots, as well as open up new opportunities for me to learn and experiment with. So while it wasn’t a necessity for me to have a new mirrorless camera, it definitely has its benefits. It also makes shooting more enjoyable since I have a bit more creative control over the final shot without having to make too many adjustments via editing after a shoot. One thing I should mention, however, is that I was also in a very fortunate situation where I had a bunch of credit with the store that I had won in an online giveaway so that definitely influenced my decision in regards to when I was going to upgrade.

In the end, I think it’s just a good idea to calmly assess whether or not you need or even can afford to upgrade whenever new gear gets released. It’s important to do this with any big purchase, but it’s especially important when you’re in a market where “the next big thing” gets announced and released every few months. It’s an easy way to spend everything on new baseline gear when you could be using that money to outfit your current setup.

Anyway, I realize this post might read very rant-y, but I hope it definitely is something you think about before making a large purchase. For me, personally, I can’t see myself upgrading for quite some time. I will be focusing on acquiring new lenses and lighting equipment, but in terms of camera bodies, I think I’ll be set for a large chunk of the foreseeable future.

What about you guys? How do you approach the idea of buying new equipment? Do you like staying on the cutting-edge of the tech or do you prefer sticking with the tried-and-true methods you already use? Let me know in the comments, and as always, thanks so much for all of your support!

- Zig

I'm Producing a Photography Podcast!

Hey, everyone. Ziggy here again. I wanted to talk about a project I’m currently writing and producing in my spare time; a photography podcast! It currently has the very tentative name, “The Shutter Button Podcast: We’re Already Halfway There,” and at its core, I’ll be using it to talk about a ton of subjects that can be daunting for both beginners and hobbyists, alike.

Each episode, I plan to talk about a very specific subject for about 5-10 minutes with the goal of providing listeners with a set of steps they can follow to practice and integrate that new information into their toolkit. For example, one of the first episodes is about project planning and some of the key factors that should help break it down into simpler, more digestible terms. I discuss how to plan and manage a budget for both time and money, as well as scouting for shooting locations and even giving some tips on how to brainstorm and keep track of project ideas.

My current goal is to finish the writing for the first four episodes, as well as the outlining for the following four, for a total of eight episodes that I’ll be releasing either once per week or twice per month. The release schedule is still being worked on, but I’m planning on making the podcast available on all of the major platforms, as well as right here on my blog!

With all of that being said, I still have a lot of work to do, but I’m excited and looking forward to the remainder of this initial writing period and moving into the recording/production steps.

As always, thanks for all of the support and I hope to see you all again real soon. See you next week!

- Zig

Postcards!

Have you ever wanted to share your photography with friends and family in a cheap, easy, and physical medium? So did I! A few weeks ago. I had been looking for a way to materialize my work so that I could share my photography with my friends and family, aside from just giving them prints. I thought about several project ideas including calendars, greeting cards, and even photo books, but none of them seemed to get to the heart of what I wanted to do. I wanted a simple, personal way of sharing my work, and that’s when I stumbled upon the idea of printing postcards!


I’ve been a fan of printing my own work since earlier in the year when I purchased a Canon Pixma PRO 100 printer, as well as some fine art printing papers, but I had never attempted to print postcards before. My first step was to get some paper, but I definitely rushed when picking out my first batch of printing sheets. I did a quick lookup for postcard-sized (4”x6”) paper on Amazon and bought a cheap stack that seemed alright, but when I finally received it and did a few draft prints, I realized that I had made a very dumb mistake. I hadn’t bought coated paper and with every print, I was getting a very cheap-looking, low quality, blurry mess. I scrapped the stack and put it on my art shelf (in case I could find a future use for them) and I went back online to do some more research. I found a few recommended brands, but eventually settled on buying a stack of 50 sheets of postcard photo paper from Red River Paper Co. They arrived pretty quickly and in great packaging (much better than the sheets I bought from Amazon). Once I unboxed them, I got my printing gloves and I started testing right away!


I had to adjust my print settings a little bit because the color and brightness was a little off, but after some finetuning, I started seeing the results I had been looking for. The last thing I needed to do was print a postcard-y template on the backside so that I could write in addresses and a short message. I booted up photoshop and developed this quick template using example I found of other postcards on Google Images:

Feel free to use this template for your own postcards!


After printing a couple of test prints, I realized that it’s better to print the backside with the template first before printing the photo itself because of possible damage along the edges, but after fitting that into my printing workflow, I started coming up with some great prints! Overall, I was very pleased with both the quality of the paper and the prints and I felt great knowing that I had learnt a new skill and service I could even provide to future clients of mine.

What about you? Have you printed your own postcards before or considered it? Do you have any other ideas about bringing your photos into “the real world?” If so, please feel free to leave them in the comments below! I’d love to hear from all of you!

Anyway, I’ll see you guys in the next post. Have an awesome week!

- Zig

Lessons I Learned During My First Landscape Exercise

An Exercise in Learning

Hey, Internet! James here. I recently went on my first landscape-priority shooting exercise in Greenwich, Connecticut and I wanted to share a few things I learned and realized while I was out there. Some may be obvious and others not, but for my first experience focusing on landscape compositions (and specifically seascapes), it turned out better than I expected! Without further ado, let's start with the more obvious things!

The Easy Stuff

So! What kind of things do you need to bring with you when you go to the beach? And specifically, to spend a fixed amount of time at the beach dedicated to photographing the natural landscape or wildlife? Well, for starters, you're gonna need;

  • A set time and objective
    • This should be a time that you pick and feel most comfortable with. For me, I was specifically looking to capture seascapes just before, and right at, sunset. I chose to arrive about 2 hours before sunset, which I had to look up on Google for my area! I also love open skies mixed with clouds so I checked my forecast, as well, to make sure that I'd have at least a little cloud coverage. I often find it helpful to pick a goal for the day that I can focus on. For this particular day of shooting, I was looking to capture seascapes around sunset-time from several different perspectives; primarily with large stones in the foreground. Don't feel pressured to make the same choices that I've made, however. It's all up to your preferences and shooting styles!
  • Sunscreen
    • Now, this one seems really, REALLY obvious, but I feel that it's always better to err on the side of caution and apply a solid layer of sunblock before going out shooting. Pick a brand that works well for you and stick with it! It's important to stay protected since you'll probably be out shooting in different areas and positions for hours!
  • Bug spray
    • I haven't gone to the beach since last Summer, but boy oh boy, did I realize what a mistake it was to not apply bug spray on my latest visit. Since I was shooting in a very nature-heavy area during the cool hours of the late afternoon/evening, I was constantly pestered by gnats and mosquitoes during my entire visit. The annoyance, pain, distraction, and frustration involved with these little suckers is pretty bad. Next time, I'll be prepared, though!
  • Water
    • This one is an often overlooked point for many people and it can be dangerous! Always stay hydrated, people! I'm shooting in the middle of Summer, so it's going to be a bit worse than at other points during the year, but even cooler temperatures are no excuse to forego bringing any kind of water bottle. Pick a big one and fill it up before you leave. It also helps to know, beforehand, if there are any food or cafe services at your beach. They can definitely come in handy if you suddenly find yourself running dry!
  • Snacks
    • Depending on how you operate your schedule or your diet, this one may not be as important to you, but don't be like me and skip lunch before going out shooting and hiking for several hours! The feeling of walking back to the beach entrance, hungry and light-headed, is not one that I would like to get again. Stay energized and keep some light snacks in your backpack to keep you going during your day out. Also, please be careful about litter and clean up after yourself. We're all out here shooting to capture these beautiful landscapes and it'd be a shame to see it go to waste.

The Not-As-Easy Stuff

  • Good shoes or boots!
    • I sort of winged it on this trip; I wore leather sneakers, worn jeans, and a long-sleeved shirt. I should have thought more ahead about what kind of attire best suits the environment you'll be working in. If I was shooting street scenes in New York City, then maybe my outfit would be more appropriate, but walking around muddy, sandy shorelines in my denim jeans definitely hampered more than it helped. And the shoes I was wearing weren't exactly ideal for marching in the sand. On my next visit, I plan to purchase a high-quality pair of hiking boots or shoes to help me get around a bit more easily. I'll also most likely bring a pair of shorts and a rain jacket, just in case the weather takes a turn. You never know what might happen!
  • A neutral density or polarizing filter
    • I had left my house with the intention of getting at least several slightly-long exposure seascapes (1/4 - 1/20 of a second exposure time) I could be proud of for my first exercise, but one thing I hadn't taken into account was how bright it actually is outside. It was a fairly sunny day and my camera has a minimum ISO of 100. The lens I was using has a minimum effective aperture of f22. Even at 1/60 of a second exposure time, I was struggling to get a properly exposed image. What I was missing was a way to reduce the light coming into the camera to capture that light over a longer period of time. In my case, a neutral density filter (a filter which helps reduce the amount of light coming through the lens) would have allowed me to use a longer exposure time and capture my compositions in the way that I wanted. I was able to make due at a slightly faster shutter speed, but my results were, in my opinion, sub-optimal. Next time, I'll be a bit more prepared with my technique and equipment!
  • A solid tripod
    • You may not think it's the absolute most important thing in the world, but having the right tripod can make or break your long exposure/HDR shots. Even the slightest bit of movement will register on the sensor and you'll have to retake the shot with the hopes of better wind. Pick something that is comfortable to carry, holds sturdy on its own, and is easy to move around. I would also recommend purchasing a cheap remote trigger to help reduce camera movement even further! AmazonBasics sells a very nice and inexpensive one which I enjoy using quite a bit. I recently purchased a Manfrotto tripod from B&H Photo Video after handling and playing with a bunch of them in their NYC store and I have to say that quality and price really do make the difference. It felt great to be able to smoothly change my composition and I am excited to use this new tripod for all aspects of my photography moving forward. If you're interested, I'll link all of the equipment I used at the beach at the bottom of this post.
  • Patience
    • Now, this is the final and potentially most important part of shooting landscape photography; patience. You need to be patient and respectful of the environment around you. When I went to the beach, there were dozens of people passing me (and through my frame) all throughout the day. It's a public beach/park, there's not really much that you can do. There was a number of shots that I just had to give up on because people were just in the way. It's okay, though, thankfully the beach is huge and scenes are aplenty! Towards the evening, I noticed that there were fewer and fewer people as families and sunbathers began heading home and it became easier to build compositions without people in the frame. Also, in regards to timing and patience; as sunset approaches, you'll notice that the light shifts very rapidly and without too much notice, you might find your composition dead in the water. Shadows and reflections might suddenly change or disappear entirely. It's okay. It's part of the experience and difficulty of photographing nature. My best advice would be to shoot away, even if you don't have the perfect settings. In those precious minutes, you may lose all of the magic in your shot and even if your exposure is off by a little bit, it's better than missing the shot completely. This is the digital age, people! We have Lightroom and Photoshop to help correct some of those minor errors. (Apologies to those who shoot using film)

The Outcome

Now that I've talked a bit about what to bring and expect when you head out, I'd like to share just a few of the shots that I walked away fairly happy about. Feel free to analyze or review them in any way you wish!

 

My Gear

And as promised, here is the equipment that I brought to the beach to take these shots! Enjoy!

  • Camera body: Nikon D5500
  • Camera lens: AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II
  • Tripod: Manfrotto Element Carbon Fiber Big Traveler Tripod

 

In Conclusion

I think it was a pretty successful exercise, all things considered! I'm definitely excited to take what I learned on this most recent visit to my next one. I'm more well-prepared and I'm determined to take some more excellent photos! I suppose I should end with a question to you guys, as well; What kind of landscapes do you enjoy? Do you have any particular techniques or styles that you aim for when shooting seascapes vs. other landscapes? Let me know in the comments and have a wonderful time shooting!